"WE DON'T NEED ANOTHER HERO"

                                             TINA TURNER

 

Everyone knows of Van Gogh. Many don't know his paintings, but they know his name and that he painted. Most people know that he was a tragic figure who cut off his ear, (although it was just the lower portion of the lobe). Quite a few people know that he shot himself.


I have never heard anyone describe Van Gogh as a very human being, capable of and experiencing, great happiness and joy. Yet after reading " Dear Theo " by Irving Stone, (if the letters by Vincent to his brother, Theo, are translated at all correctly) it would seem that this is equally true.


Van Gogh's letters, in my opinion, are not those of an insane man. Various doctors have conjectured that he may have had epilepsy, which was perceived as a form of madness in earlier times. Van Gogh, himself, was concerned about these fits, admitting himself into an asylum at one point.


It is obvious that Van Gogh derived great pleasure from his painting. Numerous pictures show his vibrant love of life, as well as the agony so many want to establish as totally characteristic of Vincent's painting.


Although he may have destroyed some paintings, as all artists do, nowhere have I read of Vincent constantly stomping on them in blind rage, as portrayed over and over in the movie, `Vincent and Theo'. In fact reading his own letters, would indicate that he had the utmost patience with his painting, in trying, studying, and working diligently. He talks about working hard at drawing, and says as well that he was pleased with the results of his efforts. He saw improvement in his own work, and was encouraged because of it. From his letters it is also evident that Van Gogh had confidence in his own worth, as a painter.


And Vincent did make friends of some of the townspeople. In his letters he talks about his friends, not the least being his brother Theo, and sister-in-law, Johanna.

I believe in fact, that a one-sided, lop-sided, view of one of the great lovers of life has been created. A deeply passionate man of painting and of people, Vincent Van Gogh actively sought happiness, and I am convinced, found a large portion of it.
 

 

 


(The following are excerpts from Vincent Van Gogh's Letter to Theo in May, 1890, approximately two months before his death, translated in "Dear Theo", by Irving Stone, and found in pages 470 through 479 respectively)

 


"Old fellow, having thought it over I do not say that my work is good, but the thing is that I can do less bad stuff. And still, still some canvases will one day find purchasers. Everything else - relations with people - is very secondary, because I have not the gift for that. I can't help that at all. Look here, if I work, people who are here will come to my house without my going to see them on purpose, just as if I took steps to make acquaintances. It is by working that you meet people, and that is the best."
 



"Yesterday and the day before I painted Mademoiselle Gachet's portrait... It is a figure that I painted with enjoyment- but it is difficult."



Vincent talks about studying corn, and about the "curious relations which exist between one fragment of nature and another, which nevertheless explain each other and set each other off."



"... I have since painted three more big canvases. They are vast stretches of corn under troubled skys, and I did not need to go out of my way to try to express sadness and the extremity of loneliness. I hope you will see them soon- since I almost think that these canvases will tell you what I cannot say in words, the health and strengthening that I see in the country. Just for one's health it is very necessary to work in the garden and to see the flowers growing. "



"I still love art and life very much, but as for ever having a wife of my own, I have not great faith in that."

 

Home | Up

Topics

1.00 Preface
1.01 From Idol to Icon and So On
2.00 What is Art?
2.01 Good Art
2.02 The Artist as Child
2.03 Matisse and Picasso
2.04 The Need for Drawing
2.05 The Need to Teach Children to Draw
2.06 Geometrical Figures are the Essence of Drawing
2.07 Misunderstanding of Form
2.08 Pebbles Show Nature's Way
2.09 People Love Abstractions
2.10 Our Faults
2.11 Technical Skill
2.12 Quality and Time on Painting
2.13 Originality and Creative Courage
2.14 Respect for the Successful Innovator
2.15 Bizarre Stuff
2.16 A Great Artist
2.17 Get Yourself a Gimmick
2.18 Unceasing Change
2.19 Blue Period
2.20 Cheap Repetition
3.00 The Artist
3.01 Understanding
3.02 Solitude
3.03 Full Circle
3.04 Myth Making
3.05 A Taste for a Few and Simple Things
3.06 There is Such a Thing as Talent
3.07 The Ouija Board
3.08 Artists and Other Circus Acts
3.09 We Don't Need Another Hero
3.10 The Van Gogh Syndrome
3.11 A State of Being
3.12 The Dreaded Dry Spell
3.13 Art is no Occupation For Relaxed People
3.14 Illustrator or Artist?
3.15 Good Versus Evil
3.16 We Belong to Our Time
3.17 The Artist of the Surface
3.18 Where Have all the Artist's Gone
3.19 Everywhere Artists are Painting Flowers
4.00 The Art
4.01 No Content No Form
4.02 Selecting the Subject
4.03 The Real World has Much to Offer
4.04 Beautiful Bird or Piece of Paper
4.05 Time
4.06 Art is a Reflection on Society
4.07 A Note on the Subtlety in Painting
4.08 Ugly Art
4.09 Decoration or Art?
4.10 The Pendulum Swings
4.11 Cartoons an Art Form
4.12 Sculpture Arises out of Garbage
4.13 Real Visual Discovery
4.14 Technology and Art
4.15 Discoveries and Art
4.16 Something Wrong with Technology
4.17 Skyscraperism
4.18 Art Suits the Purpose
4.19 The Monotony ofthe Mechanical
4.20 Firstest is Almost Always Mostest
4.21 Anything Goes
4.22 Seeing Something Worthwhile
4.23 Big Government Involvement in Art
4.24 Art for Art's Sake
4.25 Out Like Seal Skin Boots
4.26 An Idea of Aestheticism
4.27 Art as Entertainment
4.28 I Love Good Movies
4.29 Van Gogh Museum
4.30 Visual Pollution
4.31 On Architecture and Painted Murals
5.00 Art in Terms of Yesterday
5.01 On Abstract Art
5.02 Abstract, Avant Garde
5.03 Abstract Realism
5.04 Minimalism or Minimal Art
5.05 Old Ways Coming Through Again
5.06 The Minor Arts
5.07 A Frightening Insight into Realism
5.08 Historical Values
5.09 Art for the Aristocracy
5.10 A Democratic Art
5.11 The Growth of Bourgeoisie and Art
5.12 Art and Religion
5.13 A Note on Chinese Painting
5.14 Romanticism a Contradiction in Terms?
6.00 Qualities and Art
6.01 Paucity in Art
6.02 The Vital Brushmark
6.03 Every Idea has its own Size
6.04 Nature Has Taught Us
6.05 Interior Design School
6.06 Nature Teaches us about Patterns
6.07 Nature Teaches us about Lines
6.08 Nature Teaches us about Textures
6.09 Our Senses Get Dulled
6.10 Symbols may be General or Specific
6.11 Old Friends
7.00 Feelings in Art Today
7.01 A Growing Indifference to Art
7.02 The Big Show
7.03 Lifestyle Dictates Taste
7.04 Art is Most Enjoyed
7.05 Infatuation and Art
7.06 Enjoy Children's Art
7.07 Something to Match the Sofa
7.08 For the Joy or the Pain
7.09 Freedom, Money, and Artist's Expectations
7.10 Icons the Public
7.11 Confusion About Prints
7.11 Confusion About Prints
7.12 The Big Business of Art
7.13 Beware of the Retailer Dealer
7.14 Rarity
7.15 The Wealthy and the Arts
7.16 Every Tiny Scratch
7.17 The Thin Wolf
7.18 Even Artists Underestimate Art
7.19 Intuition and the Senses
8.00 In Search of Truth
8.01 Come into my Closet
8.02 Freedom
9.00 In Conclusion

 

 

 

    Copyright: Sharon Christian, Vancouver, British Columbia, Canada