"THE THIN WOLF WITHOUT THE COLLAR"

 

Artists are some of the only free individuals left today, and they are fast becoming a vanishing breed. Many lose this freedom by choice, looking to government, or private funding, to support themselves. Many paint what the galleries want, losing their independence that way. Others cannot follow the lonely, rigorous life of the thin wolf.


But the thin wolf, refusing to be collared, paints only what he wants to paint. This does not mean that he cares not for his viewers - he cares most deeply. Their freedom, as well as his own, is his prime concern.
Spending large portions of time alone, away from the rest of the pack, the thin wolf is not a frequent opening-nite goer, but prefers to watch from a safe distance. He doesn't get caught up in following the latest trend, but is always trying new things, in the spirit of experimentation, research, and curiosity.


Artists can work anywhere, any time, have no pension plans, or unemployment schemes, and never retire. They risk saying what they think, and take the time to say it the best way they know how. They tell it like it is, never hiding out of fear of reprisal.

The thin wolf without the collar is extremely disciplined and diligent. He bears the responsibility of not leading the pack into danger.


There are many rewards. He knows he has chosen well. He can feel the wind on his face, and smell the Spring saplings... he walks an interesting, wild landscape and covers a lot of ground, free from the constraints of the pack. He becomes lean and hardened, counting more and more on his wits to survive. His eyes are sharp, he hears everything, and sensing danger, finds shelter out of the howling winds. He often looks years younger than he actually is.
He discovers his place in the world.




Thin wolves without the collar are rare, but are found in all walks of life.
 

 

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Topics

1.00 Preface
1.01 From Idol to Icon and So On
2.00 What is Art?
2.01 Good Art
2.02 The Artist as Child
2.03 Matisse and Picasso
2.04 The Need for Drawing
2.05 The Need to Teach Children to Draw
2.06 Geometrical Figures are the Essence of Drawing
2.07 Misunderstanding of Form
2.08 Pebbles Show Nature's Way
2.09 People Love Abstractions
2.10 Our Faults
2.11 Technical Skill
2.12 Quality and Time on Painting
2.13 Originality and Creative Courage
2.14 Respect for the Successful Innovator
2.15 Bizarre Stuff
2.16 A Great Artist
2.17 Get Yourself a Gimmick
2.18 Unceasing Change
2.19 Blue Period
2.20 Cheap Repetition
3.00 The Artist
3.01 Understanding
3.02 Solitude
3.03 Full Circle
3.04 Myth Making
3.05 A Taste for a Few and Simple Things
3.06 There is Such a Thing as Talent
3.07 The Ouija Board
3.08 Artists and Other Circus Acts
3.09 We Don't Need Another Hero
3.10 The Van Gogh Syndrome
3.11 A State of Being
3.12 The Dreaded Dry Spell
3.13 Art is no Occupation For Relaxed People
3.14 Illustrator or Artist?
3.15 Good Versus Evil
3.16 We Belong to Our Time
3.17 The Artist of the Surface
3.18 Where Have all the Artist's Gone
3.19 Everywhere Artists are Painting Flowers
4.00 The Art
4.01 No Content No Form
4.02 Selecting the Subject
4.03 The Real World has Much to Offer
4.04 Beautiful Bird or Piece of Paper
4.05 Time
4.06 Art is a Reflection on Society
4.07 A Note on the Subtlety in Painting
4.08 Ugly Art
4.09 Decoration or Art?
4.10 The Pendulum Swings
4.11 Cartoons an Art Form
4.12 Sculpture Arises out of Garbage
4.13 Real Visual Discovery
4.14 Technology and Art
4.15 Discoveries and Art
4.16 Something Wrong with Technology
4.17 Skyscraperism
4.18 Art Suits the Purpose
4.19 The Monotony ofthe Mechanical
4.20 Firstest is Almost Always Mostest
4.21 Anything Goes
4.22 Seeing Something Worthwhile
4.23 Big Government Involvement in Art
4.24 Art for Art's Sake
4.25 Out Like Seal Skin Boots
4.26 An Idea of Aestheticism
4.27 Art as Entertainment
4.28 I Love Good Movies
4.29 Van Gogh Museum
4.30 Visual Pollution
4.31 On Architecture and Painted Murals
5.00 Art in Terms of Yesterday
5.01 On Abstract Art
5.02 Abstract, Avant Garde
5.03 Abstract Realism
5.04 Minimalism or Minimal Art
5.05 Old Ways Coming Through Again
5.06 The Minor Arts
5.07 A Frightening Insight into Realism
5.08 Historical Values
5.09 Art for the Aristocracy
5.10 A Democratic Art
5.11 The Growth of Bourgeoisie and Art
5.12 Art and Religion
5.13 A Note on Chinese Painting
5.14 Romanticism a Contradiction in Terms?
6.00 Qualities and Art
6.01 Paucity in Art
6.02 The Vital Brushmark
6.03 Every Idea has its own Size
6.04 Nature Has Taught Us
6.05 Interior Design School
6.06 Nature Teaches us about Patterns
6.07 Nature Teaches us about Lines
6.08 Nature Teaches us about Textures
6.09 Our Senses Get Dulled
6.10 Symbols may be General or Specific
6.11 Old Friends
7.00 Feelings in Art Today
7.01 A Growing Indifference to Art
7.02 The Big Show
7.03 Lifestyle Dictates Taste
7.04 Art is Most Enjoyed
7.05 Infatuation and Art
7.06 Enjoy Children's Art
7.07 Something to Match the Sofa
7.08 For the Joy or the Pain
7.09 Freedom, Money, and Artist's Expectations
7.10 Icons the Public
7.11 Confusion About Prints
7.11 Confusion About Prints
7.12 The Big Business of Art
7.13 Beware of the Retailer Dealer
7.14 Rarity
7.15 The Wealthy and the Arts
7.16 Every Tiny Scratch
7.17 The Thin Wolf
7.18 Even Artists Underestimate Art
7.19 Intuition and the Senses
8.00 In Search of Truth
8.01 Come into my Closet
8.02 Freedom
9.00 In Conclusion

 

 

 

    Copyright: Sharon Christian, Vancouver, British Columbia, Canada