PREFACE

 

Art today is still valuable yet misunderstood. I am surprised that much of the public ignore it completely. Antiquated thinking concludes that it is either foolish or only for the rich... as stated by Van Gogh over one hundred years ago. Not much has changed in this attitude toward art since then. Viewers are often given very good reasons to be confused and frustrated. Even artists can be unaware of the value of art, often placing it in the realm of the sublime. Then there are the investors in art who treat it solely as a commodity to be sold without soul.


I believe art is complex in that it relates so intimately to most other fields: psychology, literature, music, history, science, mathematics, archaeology, religion, and philosophy to name many. This can result in putting it on a pedestal and perpetuating more misconceptions.


Art has been my lifetime calling. I'm always being asked "How long have you been painting?" I don't like to answer but it is "Since I can remember." And if you are to believe what I am talking about in this book perhaps you need to know that my experience is as old as me and that I have never dabbled in art. It has always been a consuming part of my life. I continue to ask questions about it.


Having tried most methods and materials, the past eighteen years have been spent arting every day. I have studied hundreds of art books, magazine and newspaper articles, and filled numerous notebooks with writings. I consider everything to be a potential source of information, even television. Talking to people about art is one of my favourite and valued sources.


The thoughts in the following essays have therefore evolved slowly over time. I think I may have found some truths about art and artists and would like to share them with you. The quotes used in my book have been carefully selected. They have been pulled out of thousands of pages of often very dry material. But then I have not been disappointed, digging out a little gem or uncovering a kernel of truth.

 

I have found kindred spirits such as Rudolf Arnheim, a psychologist who has noted a skepticism by artists of both psychology and of the printed word (which I agree exists, but do not share). Thomas Albright, an art critic, gives us a shot of virtual reality, shaving with a straight razor on an early cold morning. Robert Henri, educator and artist, talks about being a master at the art of life. Chipp's 'Theories of Modern Art', (With Contributions by Peter Selz and Joshua C. Taylor) gives a wealth of artist's comments and notes, and is truly ' A Source Book by Artists and Critics '.

Few artists have written about art. I have read different opinions than mine and many intellectuals' writings that I suspect are not understood by any of us. There are some artists' writings that make sense. Perhaps it is their humanness and sense of mortality that sets Picasso, Matisse, Miro, and Van Gogh apart.

 

There are three different actualities in my book. The first is my personal opinions standing on their own. The second is my own conclusions supported by others. The third is where other people's writings switched on circuits of ideas I had not thought of. These I have given to you in full without comment. An example is Michael Sullivan's essay on the dialectics of art, or Henri's writing on surfaces.

 

Art used to be an integral and valued part of man's life. It was no more or less, than it should have been. Art has been lost to many people today, for different reasons. This is paradoxical in a world covered in art. Yet, there is mounting evidence that will support this.

 

Many of us are asking the question "If art has any value other than on the auction block, or on the drafting and design tables." What is it?

 

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Topics

1.00 Preface
1.01 From Idol to Icon and So On
2.00 What is Art?
2.01 Good Art
2.02 The Artist as Child
2.03 Matisse and Picasso
2.04 The Need for Drawing
2.05 The Need to Teach Children to Draw
2.06 Geometrical Figures are the Essence of Drawing
2.07 Misunderstanding of Form
2.08 Pebbles Show Nature's Way
2.09 People Love Abstractions
2.10 Our Faults
2.11 Technical Skill
2.12 Quality and Time on Painting
2.13 Originality and Creative Courage
2.14 Respect for the Successful Innovator
2.15 Bizarre Stuff
2.16 A Great Artist
2.17 Get Yourself a Gimmick
2.18 Unceasing Change
2.19 Blue Period
2.20 Cheap Repetition
3.00 The Artist
3.01 Understanding
3.02 Solitude
3.03 Full Circle
3.04 Myth Making
3.05 A Taste for a Few and Simple Things
3.06 There is Such a Thing as Talent
3.07 The Ouija Board
3.08 Artists and Other Circus Acts
3.09 We Don't Need Another Hero
3.10 The Van Gogh Syndrome
3.11 A State of Being
3.12 The Dreaded Dry Spell
3.13 Art is no Occupation For Relaxed People
3.14 Illustrator or Artist?
3.15 Good Versus Evil
3.16 We Belong to Our Time
3.17 The Artist of the Surface
3.18 Where Have all the Artist's Gone
3.19 Everywhere Artists are Painting Flowers
4.00 The Art
4.01 No Content No Form
4.02 Selecting the Subject
4.03 The Real World has Much to Offer
4.04 Beautiful Bird or Piece of Paper
4.05 Time
4.06 Art is a Reflection on Society
4.07 A Note on the Subtlety in Painting
4.08 Ugly Art
4.09 Decoration or Art?
4.10 The Pendulum Swings
4.11 Cartoons an Art Form
4.12 Sculpture Arises out of Garbage
4.13 Real Visual Discovery
4.14 Technology and Art
4.15 Discoveries and Art
4.16 Something Wrong with Technology
4.17 Skyscraperism
4.18 Art Suits the Purpose
4.19 The Monotony ofthe Mechanical
4.20 Firstest is Almost Always Mostest
4.21 Anything Goes
4.22 Seeing Something Worthwhile
4.23 Big Government Involvement in Art
4.24 Art for Art's Sake
4.25 Out Like Seal Skin Boots
4.26 An Idea of Aestheticism
4.27 Art as Entertainment
4.28 I Love Good Movies
4.29 Van Gogh Museum
4.30 Visual Pollution
4.31 On Architecture and Painted Murals
5.00 Art in Terms of Yesterday
5.01 On Abstract Art
5.02 Abstract, Avant Garde
5.03 Abstract Realism
5.04 Minimalism or Minimal Art
5.05 Old Ways Coming Through Again
5.06 The Minor Arts
5.07 A Frightening Insight into Realism
5.08 Historical Values
5.09 Art for the Aristocracy
5.10 A Democratic Art
5.11 The Growth of Bourgeoisie and Art
5.12 Art and Religion
5.13 A Note on Chinese Painting
5.14 Romanticism a Contradiction in Terms?
6.00 Qualities and Art
6.01 Paucity in Art
6.02 The Vital Brushmark
6.03 Every Idea has its own Size
6.04 Nature Has Taught Us
6.05 Interior Design School
6.06 Nature Teaches us about Patterns
6.07 Nature Teaches us about Lines
6.08 Nature Teaches us about Textures
6.09 Our Senses Get Dulled
6.10 Symbols may be General or Specific
6.11 Old Friends
7.00 Feelings in Art Today
7.01 A Growing Indifference to Art
7.02 The Big Show
7.03 Lifestyle Dictates Taste
7.04 Art is Most Enjoyed
7.05 Infatuation and Art
7.06 Enjoy Children's Art
7.07 Something to Match the Sofa
7.08 For the Joy or the Pain
7.09 Freedom, Money, and Artist's Expectations
7.10 Icons the Public
7.11 Confusion About Prints
7.11 Confusion About Prints
7.12 The Big Business of Art
7.13 Beware of the Retailer Dealer
7.14 Rarity
7.15 The Wealthy and the Arts
7.16 Every Tiny Scratch
7.17 The Thin Wolf
7.18 Even Artists Underestimate Art
7.19 Intuition and the Senses
8.00 In Search of Truth
8.01 Come into my Closet
8.02 Freedom
9.00 In Conclusion

 

 

 

    Copyright: Sharon Christian, Vancouver, British Columbia, Canada