Tune in to
the TV sitcom where Janie goes to the art show, and upon seeing a
heap of garbage on the floor exclaims, "Someone should clean this
mess up!" The curator, overhearing the remark retorts in return, "Harumph!
W-h-y d-o-n-'-t y-o-u r-e-e-e-a-d the l-a-b-e-l!"
So the pendulum swings. From super realism where every skin pore and
hair is shown, to the `heap of garbage on the floor', (and many say
they are just different manifestations of the same thing), we must
guess that the pendulum is swinging to its outer limits, once again.
"...after the illusion of depth, artists now strive with equal
passion to emphasize the plane... If previously geometric
schematization was rejected as inartistic, artists now wallow in
canonic proportions, the golden section, the equilateral triangle...
If previously glazes were used to give luminosity to colors and to
increase the sense of distance, colors are now spread in a dull mat
medium that is seen mainly as pigment... If previously technical
skill was overrated, it is now held in contempt..." (116)
Konrad Lange
"Any object it appears, may be called sculpture now. Duchamp, who
exhibited a bottle rack in 1914, can be thanked for this
development, but not by me." (117)
Sidney Geist
"We have had enough of the intelligent movements that have
stretched beyond measure our credulity in the benefits of science.
What we want now is spontaneity." (118)
Tristan Tzara , "Lecture on Dada" , 1924
Wassily Kandinsky said there are two poles in art: ""The Great
Abstraction" and "The Great Realism". Between these two poles lie
many combinations of different harmonies of the abstract and the
real." (119)
116. E. H. Gombrich, Art and Illusion, (Princeton, N.J., U.S.A.,
Princeton University Press, 1972), p.281
117. Herschel B. Chipp, Theories of Modern Art, (Berkeley and L.A.
Cal., University of California Press, 1968), p.582
118. ibid., p. 386
119. ibid., p. 161