"There is
great refinement of technique, but little indication that unless the
artist has something to say there can be no distinction between
right and wrong, no preference for one technique against another. By
now, we start in kindergarten to overwhelm children with an endless
variety of materials and tricks, which keep them distracted -
distracted from the only task that counts, namely, the slow and
patient and disciplined search for the one and only form that fits
the underlying experience." (91)
Rudolf
Arnheim
"There are
always a few who get at and feel the undercurrent, and these simply
use the surface appearances selecting them and using them as tools
to express the undercurrent, the real life.
If I cannot
feel the undercurrent then I see only a series of things. They may
be attractive and novel at first but soon grow tiresome.
... I do not
say that any master has fully comprehended it at any time, but the
value of his work is in that he has sensed it and his work reports
the measure of his experience.
It is this
sense of the persistent life force back of things which makes the
eye see and the hand move in ways that result in true masterpieces.
Techniques are thus created as a need." (92)
Robert Henri
"The dark
mass in the sky can cease to be a thundercloud and become an
interestingly shaped patch of blue color harmoniously related to the
orange streaks painted around it by the sun. The saint"
(speaking of a small statue) "can become a small column of
whiteness, a stimulating contrast to the meandering greens around
it. This disengagement of vision from its biological duty as a
discoverer of meaning - far from being aesthetic - is a serious
disease, which can ruin the efficiency and self-respect of whole
generations of artists. The view is spread by innocent art educators
and has all but succeeded recently in perverting the nature of what
is known as abstract art." (93)
Rudolf
Arnheim
90. Rudolf
Arnheim, Toward A Psychology of Art, (Berkeley and L.A., Cal.,
University of California Press,1974), p.13
91.
ibid., p.13
92. Robert
Henri, The Art Spirit, ( Toronto, Canada, Fitzhenry & Whiteside
Ltd.,1984), p.92
93. Rudolf
Arnheim, Toward A Psychology of Art, (Berkeley and L.A., Cal.,
University of California Press, 1968), p.p. 330,331