THE NEED TO TEACH CHILDREN TO DRAW?

 

As an art teacher, I have noticed that teaching children drawing, gives them a confidence in art from then on. It is those individuals who don't have sound fundamentals in drawing, that usually quit doing art, particularly in adolescence, when they have a deep, natural desire to create `in-perspective-realistic-art'. Everyone can learn to draw well.

"The emphasis on personality factors has induced some art educators to regard techniques that favor precision of form with suspicion. They have replaced the old-fashioned pencil with materials that foster the spontaneous stroke, the impulsive flash, the raw effect of amorphous colour. Spontaneous expression is certainly desirable, but expression becomes chaotic when it interferes with visual organization. Broad brushes and dripping easel paints compel the child to create a one-sided picture of his state of mind, and the possibility cannot be excluded that the kind of picture he is permitted to make, may, in turn, influence the state of mind he is in.


Unquestionably, modern methods have given outlet to aspects of the child's mind that were hobbled by traditional procedure of having him copy models with a sharpened pencil. But there is equal danger in preventing the child from using his pictorial work for clarifying his observation of reality and for learning to concentrate and to create order. Shapeless emotion is not the desirable end result of education and therefore cannot be used as its means."
(23)

Rudolf Arnheim

 

 

 

23. Rudolf Arnheim, Art and Visual Perception, A Psychology of the Creative Eye, The New Version, (Berkeley and L.A., U. of California Press, 1974), p.207

 

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Topics

1.00 Preface
1.01 From Idol to Icon and So On
2.00 What is Art?
2.01 Good Art
2.02 The Artist as Child
2.03 Matisse and Picasso
2.04 The Need for Drawing
2.05 The Need to Teach Children to Draw
2.06 Geometrical Figures are the Essence of Drawing
2.07 Misunderstanding of Form
2.08 Pebbles Show Nature's Way
2.09 People Love Abstractions
2.10 Our Faults
2.11 Technical Skill
2.12 Quality and Time on Painting
2.13 Originality and Creative Courage
2.14 Respect for the Successful Innovator
2.15 Bizarre Stuff
2.16 A Great Artist
2.17 Get Yourself a Gimmick
2.18 Unceasing Change
2.19 Blue Period
2.20 Cheap Repetition
3.00 The Artist
3.01 Understanding
3.02 Solitude
3.03 Full Circle
3.04 Myth Making
3.05 A Taste for a Few and Simple Things
3.06 There is Such a Thing as Talent
3.07 The Ouija Board
3.08 Artists and Other Circus Acts
3.09 We Don't Need Another Hero
3.10 The Van Gogh Syndrome
3.11 A State of Being
3.12 The Dreaded Dry Spell
3.13 Art is no Occupation For Relaxed People
3.14 Illustrator or Artist?
3.15 Good Versus Evil
3.16 We Belong to Our Time
3.17 The Artist of the Surface
3.18 Where Have all the Artist's Gone
3.19 Everywhere Artists are Painting Flowers
4.00 The Art
4.01 No Content No Form
4.02 Selecting the Subject
4.03 The Real World has Much to Offer
4.04 Beautiful Bird or Piece of Paper
4.05 Time
4.06 Art is a Reflection on Society
4.07 A Note on the Subtlety in Painting
4.08 Ugly Art
4.09 Decoration or Art?
4.10 The Pendulum Swings
4.11 Cartoons an Art Form
4.12 Sculpture Arises out of Garbage
4.13 Real Visual Discovery
4.14 Technology and Art
4.15 Discoveries and Art
4.16 Something Wrong with Technology
4.17 Skyscraperism
4.18 Art Suits the Purpose
4.19 The Monotony ofthe Mechanical
4.20 Firstest is Almost Always Mostest
4.21 Anything Goes
4.22 Seeing Something Worthwhile
4.23 Big Government Involvement in Art
4.24 Art for Art's Sake
4.25 Out Like Seal Skin Boots
4.26 An Idea of Aestheticism
4.27 Art as Entertainment
4.28 I Love Good Movies
4.29 Van Gogh Museum
4.30 Visual Pollution
4.31 On Architecture and Painted Murals
5.00 Art in Terms of Yesterday
5.01 On Abstract Art
5.02 Abstract, Avant Garde
5.03 Abstract Realism
5.04 Minimalism or Minimal Art
5.05 Old Ways Coming Through Again
5.06 The Minor Arts
5.07 A Frightening Insight into Realism
5.08 Historical Values
5.09 Art for the Aristocracy
5.10 A Democratic Art
5.11 The Growth of Bourgeoisie and Art
5.12 Art and Religion
5.13 A Note on Chinese Painting
5.14 Romanticism a Contradiction in Terms?
6.00 Qualities and Art
6.01 Paucity in Art
6.02 The Vital Brushmark
6.03 Every Idea has its own Size
6.04 Nature Has Taught Us
6.05 Interior Design School
6.06 Nature Teaches us about Patterns
6.07 Nature Teaches us about Lines
6.08 Nature Teaches us about Textures
6.09 Our Senses Get Dulled
6.10 Symbols may be General or Specific
6.11 Old Friends
7.00 Feelings in Art Today
7.01 A Growing Indifference to Art
7.02 The Big Show
7.03 Lifestyle Dictates Taste
7.04 Art is Most Enjoyed
7.05 Infatuation and Art
7.06 Enjoy Children's Art
7.07 Something to Match the Sofa
7.08 For the Joy or the Pain
7.09 Freedom, Money, and Artist's Expectations
7.10 Icons the Public
7.11 Confusion About Prints
7.11 Confusion About Prints
7.12 The Big Business of Art
7.13 Beware of the Retailer Dealer
7.14 Rarity
7.15 The Wealthy and the Arts
7.16 Every Tiny Scratch
7.17 The Thin Wolf
7.18 Even Artists Underestimate Art
7.19 Intuition and the Senses
8.00 In Search of Truth
8.01 Come into my Closet
8.02 Freedom
9.00 In Conclusion

 

 

 

    Copyright: Sharon Christian, Vancouver, British Columbia, Canada