As an art
teacher, I have noticed that teaching children drawing, gives them a
confidence in art from then on. It is those individuals who don't
have sound fundamentals in drawing, that usually quit doing art,
particularly in adolescence, when they have a deep, natural desire
to create `in-perspective-realistic-art'. Everyone can learn to draw
well.
"The emphasis on personality factors has induced some art
educators to regard techniques that favor precision of form with
suspicion. They have replaced the old-fashioned pencil with
materials that foster the spontaneous stroke, the impulsive flash,
the raw effect of amorphous colour. Spontaneous expression is
certainly desirable, but expression becomes chaotic when it
interferes with visual organization. Broad brushes and dripping
easel paints compel the child to create a one-sided picture of his
state of mind, and the possibility cannot be excluded that the kind
of picture he is permitted to make, may, in turn, influence the
state of mind he is in.
Unquestionably, modern methods have given outlet to aspects of the
child's mind that were hobbled by traditional procedure of having
him copy models with a sharpened pencil. But there is equal danger
in preventing the child from using his pictorial work for clarifying
his observation of reality and for learning to concentrate and to
create order. Shapeless emotion is not the desirable end result of
education and therefore cannot be used as its means." (23)
Rudolf
Arnheim
23. Rudolf Arnheim, Art and Visual Perception, A Psychology of the
Creative Eye, The New Version, (Berkeley and L.A., U. of California
Press, 1974), p.207