IN CONCLUSION

 

I have asked harsh questions of Art, sometimes bordering on cruel, "Are you any good at all?" and "What have you accomplished, if not nothing?" I have torn it down completely, answering "The world is just the same as if there had never been any art, or artists." Do we still have war and famine? And freedom, where is it? I found that art has been used as a pawn, in games of power, and in evil causes.
 

And I have built Art up, thinking that only through it, can the quest for knowledge about who we are, and how we fit, be accomplished. And that only art, relates to every other area of study.


I have been infatuated with some artists, and have come to passionately love others: Matisse, Picasso, Van Gogh. I have been influenced by and felt deeply about: Andrew Wyeth, Norman Rockwell, Renoir, Degas, Toulouse Lautrec, Walter Phillips, A. C. Leighton, Georgia O'Keeffe, Emile Carr, N.C. Wyeth, Dean Cornwell, Winslow Homer, Tom Thomson, Charles Comfort, Charles Gagnon, Henry Moore, Miro, Stan Blodgett, and Robert Henri ( for his words ). This does not name everyone, for I have enjoyed art history from the very beginning of time, from the early cave painters to my most modern contemporaries.

Having searched among artists for answers to my questions, I have come upon others, in different walks of life who had them as well. Rudolf Arnheim the psychologist, and Thomas Albright the critic, (whom I wish I could have met) are truly remarkable in their insights.


And I have clutched greedily at their gems of wisdom, storing them away, bringing them out every once in a while to polish, carrying them with me, to feel when the going gets tough. For what I have found as well, was trails of courage, beyond anything imaginable, that restored us all as people.


I have come to understand what I'm sure many of them came to understand, that we constantly battle between good and evil, and that both reside in each one of us. Art is a tool, and a very valuable one, for either side.

 

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Topics

1.00 Preface
1.01 From Idol to Icon and So On
2.00 What is Art?
2.01 Good Art
2.02 The Artist as Child
2.03 Matisse and Picasso
2.04 The Need for Drawing
2.05 The Need to Teach Children to Draw
2.06 Geometrical Figures are the Essence of Drawing
2.07 Misunderstanding of Form
2.08 Pebbles Show Nature's Way
2.09 People Love Abstractions
2.10 Our Faults
2.11 Technical Skill
2.12 Quality and Time on Painting
2.13 Originality and Creative Courage
2.14 Respect for the Successful Innovator
2.15 Bizarre Stuff
2.16 A Great Artist
2.17 Get Yourself a Gimmick
2.18 Unceasing Change
2.19 Blue Period
2.20 Cheap Repetition
3.00 The Artist
3.01 Understanding
3.02 Solitude
3.03 Full Circle
3.04 Myth Making
3.05 A Taste for a Few and Simple Things
3.06 There is Such a Thing as Talent
3.07 The Ouija Board
3.08 Artists and Other Circus Acts
3.09 We Don't Need Another Hero
3.10 The Van Gogh Syndrome
3.11 A State of Being
3.12 The Dreaded Dry Spell
3.13 Art is no Occupation For Relaxed People
3.14 Illustrator or Artist?
3.15 Good Versus Evil
3.16 We Belong to Our Time
3.17 The Artist of the Surface
3.18 Where Have all the Artist's Gone
3.19 Everywhere Artists are Painting Flowers
4.00 The Art
4.01 No Content No Form
4.02 Selecting the Subject
4.03 The Real World has Much to Offer
4.04 Beautiful Bird or Piece of Paper
4.05 Time
4.06 Art is a Reflection on Society
4.07 A Note on the Subtlety in Painting
4.08 Ugly Art
4.09 Decoration or Art?
4.10 The Pendulum Swings
4.11 Cartoons an Art Form
4.12 Sculpture Arises out of Garbage
4.13 Real Visual Discovery
4.14 Technology and Art
4.15 Discoveries and Art
4.16 Something Wrong with Technology
4.17 Skyscraperism
4.18 Art Suits the Purpose
4.19 The Monotony ofthe Mechanical
4.20 Firstest is Almost Always Mostest
4.21 Anything Goes
4.22 Seeing Something Worthwhile
4.23 Big Government Involvement in Art
4.24 Art for Art's Sake
4.25 Out Like Seal Skin Boots
4.26 An Idea of Aestheticism
4.27 Art as Entertainment
4.28 I Love Good Movies
4.29 Van Gogh Museum
4.30 Visual Pollution
4.31 On Architecture and Painted Murals
5.00 Art in Terms of Yesterday
5.01 On Abstract Art
5.02 Abstract, Avant Garde
5.03 Abstract Realism
5.04 Minimalism or Minimal Art
5.05 Old Ways Coming Through Again
5.06 The Minor Arts
5.07 A Frightening Insight into Realism
5.08 Historical Values
5.09 Art for the Aristocracy
5.10 A Democratic Art
5.11 The Growth of Bourgeoisie and Art
5.12 Art and Religion
5.13 A Note on Chinese Painting
5.14 Romanticism a Contradiction in Terms?
6.00 Qualities and Art
6.01 Paucity in Art
6.02 The Vital Brushmark
6.03 Every Idea has its own Size
6.04 Nature Has Taught Us
6.05 Interior Design School
6.06 Nature Teaches us about Patterns
6.07 Nature Teaches us about Lines
6.08 Nature Teaches us about Textures
6.09 Our Senses Get Dulled
6.10 Symbols may be General or Specific
6.11 Old Friends
7.00 Feelings in Art Today
7.01 A Growing Indifference to Art
7.02 The Big Show
7.03 Lifestyle Dictates Taste
7.04 Art is Most Enjoyed
7.05 Infatuation and Art
7.06 Enjoy Children's Art
7.07 Something to Match the Sofa
7.08 For the Joy or the Pain
7.09 Freedom, Money, and Artist's Expectations
7.10 Icons the Public
7.11 Confusion About Prints
7.11 Confusion About Prints
7.12 The Big Business of Art
7.13 Beware of the Retailer Dealer
7.14 Rarity
7.15 The Wealthy and the Arts
7.16 Every Tiny Scratch
7.17 The Thin Wolf
7.18 Even Artists Underestimate Art
7.19 Intuition and the Senses
8.00 In Search of Truth
8.01 Come into my Closet
8.02 Freedom
9.00 In Conclusion

 

 

 

    Copyright: Sharon Christian, Vancouver, British Columbia, Canada